Skip to main content

[dblto] Download Textus Receptus fonts from Lascaris

Textus Receptus

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Textus Receptus is a historical revival based on the Roman and Greek types used by Johann Bebel (and later also Michael Isengrin) in Basel in the 1520s.


The Roman is a low-contrast medium-to-heavy Venetian reminiscent of Jenson or Golden Type. The unusual polytonic Greek, not previously digitized, is lighter in weight and supplied with all the ligatures and variants of the original. Yet when used without historial forms the Greek has a surprisingly contemporary feel: it’s quirky and playful as a display face, but still easily legible in running text.


Bebel’s Greek extended and refined the one used for the first printed Greek New Testament, Desiderius Erasmus’ Novum Instrumentum Omne, published in Basel in 1516 by Johann Froben. The name of the font was chosen in honor of this edition, which was so influential that it was later called the Textus Receptus (the “received text”), serving as the basis for Luther’s German Bible in 1522 and much subsequent scholarship for over 300 years.


Following 16th century practice, Textus Receptus contains 130 ligatures and stylistic alternates for Greek, accessible either with OpenType features or with five stylistic sets. The Greek capitals, often printed bare in early editions, have been equipped with accents and breathings for proper polytonic or monotonic typesetting.


The Roman includes both standard and historical ligatures along with the abbreviations and diacritics typically employed in early printed Latin. For expanded language coverage it has the entire unicode Latin Extended‑A range and part of Latin Extended-B. The capital A is surmounted by a horizontal stroke, as in some 16th century Italian designs, and the hyphen and question mark have both modern and historical form variants.


Mark-to-base positioning correctly renders fifty combining diacritics, and with mark-to-mark positioning the most common diacritics may be stacked, permitting, for example, accents and breathings on top of length-marked vowels. Numerals include old-style, proportional lining and tabular lining.


For further details, please download the 31-page Textus Receptus User Guide.


Textus Receptus
Textus Receptus



Textus Receptus


Popular posts from this blog

[ahuhj] Download Kingsad fonts from Konstantine Studio

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kingsad is inspired by the contemporary trends of visual design nowadays. Combining the modern and elegant vibes with the breakthrough of typography hierarchy, but still holding on to the function and voices of the sans-serif core. Contains 5 styles in a family from thin to bold to expand the versatility usage. Perfectly fit for your logo and modern visual branding touch. In short, Kingsad is an easy font to go with. Kingsad Kingsad

[ubsic] Download YDMyungjo 100 Pro fonts from Yoon Design

Download Now Server 1 Download Now Server 2 Download Now Server 3 YD Myungjo100 Pro is a modern serif consisting of 6 weights. It supports up to 13 different languages such as English in Latin and other scripts. YDMyungjo 100 Pro YDMyungjo 100 Pro

[ebwqk] Download Imagist fonts from Fenotype

Download Now Server 1 Download Now Server 2 Download Now Server 3 The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme. Imagist Imagist